Soderbergh’s surveillance thriller is a smart reimagining of Blow Out placed within a covid conscious context. In many ways, Kimi…
Review: Beach House – Once Twice Melody
The Baltimore trio’s 8th record serves as a perfect amalgamation of the band’s previous works as well as a venturing…
Hand-Picked Horror #3: Madame Tutli-Putli
Travelling alone on a chameleonic, overnight train to an unknown destination, Madame Tutli-Putli experiences an existential and metaphysical night odyssey…
Review: Texas Chainsaw Massacre (2022)
Netflix’s newest Texas Chainsaw outing is a massacre in itself of the cult classic’s legacy. After the surprising enjoyment I…
Hand-Picked Horror #2: Terrifier (2016)
In this autopsy of true evil, Damien Leone takes the spectator on a kaleidoscopic, blood-hazed nightmare hack-sawing through anyone and…
Review: Nightmare Alley
Though suffering from a lacklustre script which wains much of the film’s tension, Nightmare Alley still mostly works as a…
Classic Review #2: A Brighter Summer Day (1991)
Edward Yang’s period epic perfectly encapsulates the anxiety and social turmoil surrounding life in 1960s Taiwan. Even within it’s opening…
Review: The House
Netflix’s animation anthology uses domesticity as a basis to cleverly cover larger social commentary. I always look towards episodic narratives…
Hand-Picked Horror: The Golden Glove (2019)
Faith Akin’s hypnotic masterwork ‘The Golden Glove’ bathes naked in its own putrid malodour. Unlike Fritz Honka, the broken antithesis…
Classic Review: 2046 (2004)
Wong Kar Wai’s 2046 serves as a devastating look at love, loneliness and the disruptive nature of nostalgia itself. As…