The French never fail to horrify. Since cinema’s inception, the French have earned a prestigious reputation as one of the…
Classic Review: Kate Bush – Hounds of Love (1985)
Hounds of Love is an Art Pop staple which forefronts the best of Bush’s songwriting and extravagant production. In response…
Review: Top Gun: Maverick
Top Gun: Maverick ‘will take your breath away’ with its tense flight sequences, beautiful camera work and heartfelt drama. After…
Review: Everything Everywhere All at Once
This kaleidoscopic step inside Daniels’ own multiverse of madness results in one of the most exciting, creative and tender productions…
Review: Kimi
Soderbergh’s surveillance thriller is a smart reimagining of Blow Out placed within a covid conscious context. In many ways, Kimi…
Review: Beach House – Once Twice Melody
The Baltimore trio’s 8th record serves as a perfect amalgamation of the band’s previous works as well as a venturing…
Hand-Picked Horror #3: Madame Tutli-Putli
Travelling alone on a chameleonic, overnight train to an unknown destination, Madame Tutli-Putli experiences an existential and metaphysical night odyssey…
Review: Texas Chainsaw Massacre (2022)
Netflix’s newest Texas Chainsaw outing is a massacre in itself of the cult classic’s legacy. After the surprising enjoyment I…
Hand-Picked Horror #2: Terrifier (2016)
In this autopsy of true evil, Damien Leone takes the spectator on a kaleidoscopic, blood-hazed nightmare hack-sawing through anyone and…